I've just placed online a photo of my latest painting, John the Beloved.
The painting is 17X24", oil on Masonite, and depicts John, Jesus' beloved disciple, on his way to do the work of the Lord, looking toward the light.
He holds a pot, symbolizing his capacity to accept and carry the Holy Spirit and his ability to pour it out on others. The rope symbolizes his life. One end trails off the bottom of the picture, showing that his life would not end until Christ's work was done.
I hope to enter this shortly in the annual Portrait Society of America International Portrait Competition. Results posted later. Wish me luck!
Wednesday, February 11, 2009
Saturday, February 7, 2009
Studio Incamminati Followup
The class at Studio Incamminati in Philadephia was very good. It was a challenging re-appraisal of the basic tenets of color theory and modeling, based on the philosophies of Nelson Shanks, the founder and artistic director, and Henry Hensche. The studio fills two floors of a building in downtown Philly, and the walls are covered with gorgeously lit and colored and modeled interpretations of still lifes and the human figure. You could also tour the faculty offices, including Nelson Shanks space, with a huge figure painting. Marvelous.
The focus of the class was to introduce students to the techniques and methods used in later programs. Very quick, very intense. Very patient teachers; a great deal of humbling was required on my part.
Hensche's philosophies on color were transformative, even at my very basic level of exposure. I've painted for years, using the standard color pallets of the Renaissance, updated by modern media. At SI they laid out 21 colors – absolutely luscious looking oils – around the rim of an 18x24” palette. No black, of course, but a lot of titanium white. Instead of flesh tones from alizarin crimson, yellow ochre, and white, for instance, we used cadmium green and cadmium orange. Wow. Beautiful.
I appreciated the chance to be there. I've never seen a more devoted faculty. I learned a lot – dipped my toe in, actually, but a door was opened. Very cool.
The focus of the class was to introduce students to the techniques and methods used in later programs. Very quick, very intense. Very patient teachers; a great deal of humbling was required on my part.
Hensche's philosophies on color were transformative, even at my very basic level of exposure. I've painted for years, using the standard color pallets of the Renaissance, updated by modern media. At SI they laid out 21 colors – absolutely luscious looking oils – around the rim of an 18x24” palette. No black, of course, but a lot of titanium white. Instead of flesh tones from alizarin crimson, yellow ochre, and white, for instance, we used cadmium green and cadmium orange. Wow. Beautiful.
I appreciated the chance to be there. I've never seen a more devoted faculty. I learned a lot – dipped my toe in, actually, but a door was opened. Very cool.
Web Site Renovation Completed
I finished updating my Web site, glad to have it with a modern look and modern technology. It includes an RSS link to this blog and extensive use of CSS, as well as updates to my resume' and background pages.
More importantly, it includes recent works and gallery shows, with references to the Illustration Master class and Studio Incamminati. Very good; glad to have it done. I believe it to be a major improvement.
More importantly, it includes recent works and gallery shows, with references to the Illustration Master class and Studio Incamminati. Very good; glad to have it done. I believe it to be a major improvement.
Subscribe to:
Posts (Atom)