Saturday, January 21, 2012

The Success of Failure


Inspiring words, whether you're a writer, artist, or anyone else trying to get through life.

-Les

Excerpted from “The success of failure: Pulitzer winner's surprising road to the top.”
By Todd Leopold, CNN
January 20, 2012

Jennifer Egan, Pulitzer Prize winning author, describes her creative growth -- and success -- as "incremental all the way."

…Failure. It's such an ugly word, isn't it? It reeks of cancer, of loss: the sense that what once went wrong cannot be set right, that the world has come to an end, that failures are failures forever -- that it's not just the project that failed, but you. Successful people, we imagine, are somehow blessed with more optimism, bigger brains and higher ideals than the rest of us.

But it's not true. Successful people -- creative people -- fail every day, just like everybody else. Except they don't view failure as a verdict. They view it as an opportunity. Indeed, it's failure that paves the way for creativity.

John Seely Brown is the former head of the Palo Alto Research Center (PARC), the Xerox lab responsible for digital printing, the computer mouse and Ethernet. He says "trafficking in unlimited failure" let PARC's employees invent once-unimaginable technologies.

"My mantra inside PARC, which was never particularly appreciated in corporate headquarters, was at least 75% of the things we did failed," he says.

…Being creative doesn't require being Mozart. Stubbornness and practicality play a role, too. Studies of grade school and college students indicated they owed their academic success to such characteristics as curiosity, self-control and what psychology professor Angela Duckworth termed "grit" -- even if they were of average intelligence.

…Failure seems to loom around every corner, especially for creative types like writers. "I think it's totally rational for a writer, no matter how much experience he has, to go right down in confidence to almost zero when you sit down to start something," author John McPhee once observed.

That's not necessarily a bad thing if it's kept in perspective.

…“You have to be OK with failing." Clients naturally want to play it safe, but sometimes the most interesting ideas are out on the fringes. For example, he says, a cell phone provider might want to focus on established users, but what about trying to market to people who don't own cell phones at all?

"It's always a risk." But a necessary one: "If you're not failing, you're not pushing hard enough."

…If you decide the work has merit, there comes a point when you take what you have. Eventually the time for major creativity recedes and you're just trying to get to the finish line -- proofreading, refining, going over details. It can be grueling.

"At that point, disgust and ennui sets in," Egan admitted. "But I have a job to do. I can't walk away. I have a desire to make it better that drives me."

And then it's time to do it again, to climb back on the high wire and start from scratch. Scary? Absolutely. Failure is always scary. But, says Egan, it's where creative energy comes from: The awards and acclaim are wonderful, but the joy comes from the freedom she feels in trying the unusual.

Indeed, she says her recent books have been much more rewarding to write because of their challenges.

"And since then," she says, "I've had a lot more fun."

Tuesday, December 6, 2011

Loved the Play

For the third time, I really enjoyed the play "Wicked, the Untold Story of the Witches of Oz" in New York City. Yes, I know, that makes me a geek. My wife and daughter went with me this time, and they loved it, too.

There's something about the power of the writing, and the music, and the ideas, that just grabs me. I loved the show because I loved the talent, the raw show of excellence and effort and skill. I was crying and laughing. Those performers put their hearts and souls into it, and the audience felt it. Unanimous standing ovation. Marvelous! The effect was to make me want to take my own poor skills to levels like that, and that may be its best effect. I may take my son to it after he returns from his mission in Guatemala. He loves the soundtrack but hasn't seen the show.

Saturday, November 19, 2011

Outwin Boochever Portrait Competition 2013 Entry


Today I posted an entry to the Smithsonian Institution's 2013 Outwin Boochever Portrait Competition. I just finished this painting, titled "Portrait of a Modern Father," today.

Some of the comments I made in the entry:
Title: Portrait of a Modern Father.
Medium: Oil on canvas.
Size: 24"x36".

Description of “Portrait of a Modern Father”:
To steer their families safely through today's many challenges, fathers must step outside of their comfort zones, trusting that as they hold up their candle of experience and inspiration their way will be lighted for a step or two ahead. Recognizing that they do not walk alone increases their light.

Artist's Statement:
Whatever we do in this life is bettered when we do it for others. Our world is bettered when our goal is to bring joy, uplift, and change hearts.

Are there any special circumstances surrounding the creation of your portrait?
As a father, I stepped outside of my comfort zone this year when three of my children left our home within a few months of each other. They were excellent young men and women but had been struggling, drifting as they tried to find their own way. We were all grateful when their divergent paths, some of which were very painful, brought them great growth, joy, and satisfaction. Today we are all wiser and happier, and grateful indeed that we do not walk alone.

I will finish the companion to this piece, which is titled "Portrait of a Modern Mother," before the end of the year and submit it to the Portrait Society of America's 2012 International Portrait Competition.

Friday, November 18, 2011

Softcover Edition and Price Break

I have created a softcover edition of my book, The Christmas Orange. My preview copy looks even better than I had hoped. The glossy cover and satin pages hold the color beautifully, and the great review I got from James Gurney looks excellent on the back cover.

The price is lower, too. If you buy the unsigned softcover edition from my publisher, the price is only $24.95, shipping extra. If you buy the book from me, I will sign it and ship it for $30.00.

Of course, you can choose to buy the original, hardcover, premiere edition from my web site. This version is signed and includes a signed, 8"x8" print of "While Mary Sleeps" .

Either way, I wish you a happy Thanksgiving and a very merry Christmas season.

Sunday, November 13, 2011

Weekend In Arts Heaven

Thanks to a generous invitation from James Gurney, I spent last Friday and Saturday with him, his gracious wife Jeanette, Jean-Baptiste Monge and Margot, Garin Baker, and Armand Cabrera in touring art sites and openings in the Wilmington area. We visited the Brandywine River Museum, the Frank Schoonover Studio, and the Delaware Art Museum, being joined by Kev Ferrara, Eric Millen and Kristina Mah. And that was after attending Gurney's lecture Thursday night at MICA.

The goal was to attend the Howard Pyle opening at the Delaware Art Museum. Great stuff, great times, great conversations. The details of each event are covered in the sites listed below. To me, the best part of the weekend was the time spent watching and listening to these great artists, observing how they interacted and how they went through galleries, and learning a lot from their conversations. I deeply admired their learning, experience, and passion. These folks really feel strongly about the art profession, and drinking in their feelings was a marvelous treat.

I was also touched by the support each of these artists enjoyed from their families, only some of whom were in attendance, but each of whom made it possible for them to move forward with their careers, some at great sacrifice. I add my wonderful wife to this list, and I am grateful.

And special gratitude goes to James Gurney, whose gracious invitation made the whole, unexpected weekend happen. Thanks again, Jim. I was an amateur among experts, but I learned a lot. Thank you.

Saturday, November 12, 2011

James Gurney Reviews "Christmas Orange"


James Gurney, New York Times best-selling author of the Dinotopia book series and recipient of the Hugo, World Fantasy, Chesley, Spectrum, and Colorado Children’s Book awards, has reviewed my book, "The Christmas Orange." Here is what he had to say:

“Terrific. Beautiful. A really sensitive presentation with a deep and meaningful story. The message is universal and powerful, with the orange as both a visual and narrative element that really resounds in the telling. The cover image, with the girl's face in shadow, but still smiling, is very evocative, and perfectly executed. The varied and imaginative use of color throughout is impressive.”

Thank you very much, Jim.

Saturday, November 5, 2011

Christmas Orange Holiday Price Drop

My publishers have announced a holiday price reduction for my book, "A Christmas Orange." If you order a copy from them before November 30 and enter the promo code "BIGTEN" at checkout, you save $10.00. As an added incentive, I have dropped my part of the book price as well. Just go to my bookstore to preview and buy the book.

If you want the signed premiere edition of the book and the included print, you'll have to order it from my web site.